A History Of Western Music 9th Edition Pdf Download ~REPACK~
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Music in the Romantic period was a key element in 18th-century German society, and its influence stretched beyond the boundaries of Germany and Austria-Hungary into western Europe and British North America. The period’s music was characterized by a heightened use of colour, an accelerated tempo, and greater levels of expressive ornamentation and varied contrapuntal textures. Romantic music aesthetic values were tied to national traditions, although later movements produced music that was more diverse and more influenced by contemporary European trends and that tended towards tonality. Composers during this period were under the influence of the philosophy of the German Romantic movement, which valued nature and rural life over commerce and urban life. Romantic music expressed feelings of melancholy, spirituality, and nostalgia.
The term serialism was first used in reference to the musical style of the French composer Olivier Messiaen, from the late 1940s to the early 1960s.[74] It was inspired and defined by his serial method of composition. And of course there are many examples of serialism in film music, but I wanted to start with some of the great geniuses as examples of what good music does. (Piano film: Paul Fejos, "Lemon Sky" by Morton Subotnick, "Concerning a Railroad Bridge" by Karlheinz Stockhausen, "Alcazar" by Luigi Nono, "Beyond Tomorrow" by Ralph Vaughan Williams, "Loss" by Meredith Monk, "When I'm Sixty-Four" by John Williams, "The Visitation of Miss Mary Stout" from "Canto Uno" by Harry Partch, "The Dream of Zhen Ji" by Iannis Xenakis, "Hyperpraga" by Cornelius Cardew, "Quatuor Pour Petites Ecossaises" by Pierre Boulez, "The Music That Yearns" by Morton Feldman, "Coming Forth by Day" by Ingram Marshall and "The Sorcerer's Apprentices" by Harry Partch. Returning with film music to the roots of how we first got film music: after World War II, many Europeans were inspired by the music of the previous era of film scores began to look to serial scores for their future musical inspiration. The decade of the 1950s saw the birth of the atonal music style of the West, and the advent of dissonance was gradually accepted as a viable form of composition. d2c66b5586